Playing softly on the flute is often harder than playing loudly, especially in the high register where even small articulations can sound harsh.
In this lesson segment from Marina Piccinini’s course on the Franck Sonata in A Major, she shares a simple concept that helps flutists create smoother, more lyrical beginnings to their notes.
By thinking like a violinist and imagining the bow already moving before it touches the string, Piccinini explains how flutists can begin the airstream before releasing the tongue. This subtle shift transforms articulation, producing a softer, more natural entrance while keeping the sound supported.
Download the PDF workbook on the Franck Sonata to learn more! It's a small glimpse into the thoughtful technical insights explored throughout the full course.
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