Prelude in C Major, BWV 846
by:
Derek Remes
One of the foremost scholars of J.S. Bach's pedagogical and creative approach, Derek Remeš deconstructs the C Major Prelude, BWV 846, in the first of a three-part series dedicated to "reverse engineering" Bach's Preludes. Remeš's approach to understanding the work's structure and harmonic configuration is Bach's own: that of so-called "thoroughbass," also known as "figured bass." Far more than an accompanimental practice, thoroughbass was core to Bach's understanding of musical composition writ large. For Bach's students, the main skill to acquire was a facility with recognizing and realizing the many voice leading conventions embedded in these shorthand basslines.
Access Course →