Great phrasing often looks expressive from the outside. But on the clarinet, too much visible effort can actually interfere with the sound.
In this short lesson segment, Andrew Marriner explores phrasing in the Adagio from Mozart’s Clarinet Concerto. He demonstrates why exaggerated facial expression and physical gestures can disrupt the air column and weaken tone.
Instead, expressive playing begins with steady air support and a stable embouchure. When the air carries the phrase, entrances speak more clearly and Mozart’s long lyrical lines stay focused and beautiful.
Download the PDF score of the Clarinet Concerto to try applying this wisdom to your execution of the piece.
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